Holmes and Moriarty
by Gareth Rubin (Simon & Schuster, 2024)
audiobook read by Michael Fenner & Gareth Armstrong (Simon & Schuster Audio, 2024)
The Holmes/Watson characterisation feels right, and Moriarty/Moran emerge as an equally absorbing duo (Watson and Moran alternating their first-person accounts), yet the titular conflux amounts to little. The plot devolves into explicated mystery where neither Holmes nor Moriarty (nor Mycroft) contribute much.
Sherlock: The Lying Detective
by Steven Moffat; dir. Nick Hurran (BBC, 2017)
At once a small story (Toby Jones proving disturbingly effective as the Jimmy Savile-esque villain) and a larger, lurching, exceedingly dark character piece where the moment-to-moment excellence serves only partially to cloak the too-fast unravelling and resetting of Watson and Sherlock’s relationship.
The Hound of the Baskervilles
adapted by Alexander Baron; dir. Peter Duguid (BBC, 1982)
A watchable if unadventurous four-part adaptation. Tom Baker’s search for Holmes’s mastery has him deliver lines with commanding eloquence but often a fraction of a second early. Terence Rigby makes for an unsteady Watson, balancing things out with delays of corresponding magnitude.
Sherlock Holmes: A Game of Shadows
dir. Guy Ritchie (2011)
Robert Downey Jr’s Holmes hides his genius behind a facade of extemporised buffoonery. Jude Law’s Watson is less idolising, more exasperated, than in the original stories. Their dynamic nevertheless works, carrying the more stylised mayhem as Ritchie’s treatment walks its fine line.
Sherlock Holmes
dir. Guy Ritchie (2009)
Ritchie’s interpretation of Sherlock Holmes works on several levels—as a dark and detailed period piece, as character comedy, and as a buddy film. Jude Law (Watson) and Robert Downey Jr (Holmes) have an edgy dynamic. Rachel McAdams scintillates as Irene Adler.
The Memoirs of Sherlock Holmes
by Sir Arthur Conan Doyle (George Newnes, 1893); audiobook ready by Stephen Fry (ABC, 2017)
Despite coming across as increasingly distant from modern times, these tales of Sherlock Holmes retain their appeal. Simply put, Holmes and Watson are great characters, and the mysteries themselves have a charm that rests enduringly in Conan Doyle’s (and Stephen Fry’s) telling.
Sherlock, Series 2
(BBC, 2012)
Sherlock’s second series modernises three of Conan Doyle’s most famous stories, adapting them with stylishness, affection and considerable licence. Any infelicities are quickly forgiven, however, as the plot (though clever) is made secondary to the relentlessly paced badinage between Holmes and Watson.
Jonathan Creek, Series 1
by David Renwick (BBC, 1997)
Jonathan Creek is a detective with Holmes-like deductive abilities, cajoled and manipulated into sleuthing by a self-serving journalist less sympathetic than any Watson figure. The protagonist is quietly compelling and the mysteries beguiling, albeit at times through an improbable marrying of circumstances.
Murder Rooms (The Dark Beginnings of Sherlock Holmes)
by David Pirie (BBC, 2000-2001)
This cleverly written historical drama depicts a young Arthur Conan Doyle playing Watson to nascent Holmes figure Dr Joseph Bell (Doyle’s real-life tutor at Edinburgh University). Replete with Holmes-esque observational deductions, the feature-length mysteries are intriguing… but moreish at only six episodes.
Sherlock Holmes
BBC, 1968
Peter Cushing rises above the BBC’s stinginess and inept adaptations to embody a Sherlock Holmes at once cerebral yet exuberant, aloof but socially aware. Nigel Stock’s Watson is something of a retired teddy bear and only six of sixteen episodes survive un-junked.