Peanuts: The Loves of Snoopy
by Charles M. Schulz (Hodder & Stoughton, 1978)
A slim (46-page) hardcover collection of Sunday strips affording plenty of space to each panel but paying only lip service to the title. The inking is often quite shoddy, at its most bizarre assigning variable hair colours to several of the characters!
The Complete Peanuts: 1969 to 1970
by Charles M. Schulz (Canongate, 2008)
Schulz by second decade’s turn has mastered his craft, both from a technical viewpoint (those facial expressions!) and as an observer of life. The strips here contain a little too much Snoopy and Woodstock, but it’s a good period for Charlie Brown.
Snoopy Treasury
by Charles M. Schulz (Book Club Associates, 1981)
A large-format book combining much of “Peanuts Treasury” (1960s dailies and Sundays, black and white) with the colour Sundays from “Sandlot Peanuts” (1960s-1970s baseball themed). The result is nearly 200 pages of wit and wisdom, somewhat lopsided in favour of Charlie Brown.
You’re a Good Scout Snoopy
by Charles M. Schulz (Hodder & Stoughton, 1979)
A collection of Sunday strips, only four of which feature Snoopy as scout leader (the remaining thirty-nine have a more generic Snoopy focus). This is unfortunate, as the scouting expeditions’ visual nature and last-panel sight gags benefit from the large-format colour presentation.
The Snoopy Festival
by Charles M. Schulz (Holt, Rinehart & Winston, 1974)
A big collection of Snoopy-focussed strips—five weeklies or one colour Sunday per page across just shy of 200 pages. The colour strips are beautifully reproduced and the selection of dailies is good, albeit that a few ongoing storylines are left incomplete.
Charlie Brown, Snoopy and Me
by Charles M. Schulz (W.H. Allen 1981)
A short, simply written autobiography that extends to Schulz’s inspirations, working process and general thoughts on cartooning, illustrated piecemeal (in black-and-white) with Peanuts strips and unremarkable family photographs. Schulz is justifiably proud of his achievements but comes across rather blandly alongside them.
The Complete Peanuts: 1985-1986
by Charles M. Schulz (Fantagraphics, 2012)
Snoopy’s brother Spike remains a weak link and Tapioca Pudding is beyond doubt a character experiment gone badly wrong. Desert strips and pointless riffs notwithstanding, Schulz crosses the mid-80s with vigour, sharing his attention amongst old favourites and tapping rich new veins.
The Complete Peanuts: 1991 to 1992
by Charles M. Schulz (Fantagraphics Books, 2014)
Despite Schulz’s at times self-indulgent format experimentations, Peanuts in the 90s starts to feel a little tired. (Snoopy’s cookie fixation, for instance, disappoints as a recurring punchline.) Nevertheless, there is much here to like. Only by his own benchmark is Schulz diminished.
The Snoopy Treasures
by Nat Gertler (Titan, 2015)
Presented like a deluxe collection of comics — an odd format for its purpose — the Snoopy Treasury is more a potted history of the Snoopy (not Peanuts) phenomenon, exploring Snoopy’s development within Schulz’s strips and his many, many manifestations in the outside world.
Celebrating Peanuts: 60 Years
by Charles M. Schulz (Andrews McMeel, 2009)
Beautifully presented, with the Sundays reproduced in full colour, this hefty hardcover exemplifies the droll brilliance of Schulz, devoting 100+ large, glossy pages each to the five decades in which Charlie Brown, Snoopy and the gang ruled the world of comic strips.