Doctor Who: Mind of the Hodiac
by Russell T Davies & Scott Handcock (Big Finish, 2022)
This two-parter is rather too long for what it offers, though the female-centric plot is welcome and Colin Baker is once again a delight. Davies and Handcock capture the Sixth Doctor’s personality, yet (as usual) have him largely superfluous to the resolution.
Doctor Who: Voyager
by Steve Parkhouse; ill. John Ridgway; colours Gina Hart (Marvel, 1985)
Frobisher is introduced, joining a more proactive, less bombastic Sixth Doctor in an adventure trippy enough to have rounded out The Trial of a Time Lord. A preponderance of dark hues serves to foreground the SF (and make Baker’s coat blend in!).
Doctor Who: The Last Adventure, Part 3: Stage Fright
by Matt Fitton (Big Finish, 2015)
Fitton brings some intrigue to the Last Adventure. At the end of the day, however, the Valeyard’s evil scheme doesn’t make much sense. The Sixth Doctor’s modus operandi is once again to march up to the threat and demand its immediate cessation.
Doctor Who: The Headless Ones
by James Parsons and Andrew Stirling-Brown; dir. Scott Handcock (Big Finish, 2020)
A fairly bland offering whose only real point of difference is an unhappy ending (which the players don’t lose much sleep over). Parsons and Stirling-Brown have a go at female empowerment only to make Amanda and Siyanda hapless figureheads rather than exemplars.
Doctor Who: Conflict Theory
by Nev Fountain; dir. Scott Handcock (Big Finish, 2020)
A fun, frivolous story that, beneath clever execution, explores the more serious question of the Doctor’s culpability in exposing his companions to danger. Fountain’s script is spot-on. Colin Baker and Nicola Bryant revel in a character dynamic rarely done justice on television.
Doctor Who: Wirrn Isle
by William Gallagher (Big Finish, 2012)
Bringing back the Wirrn was ambitious but Gallagher has recaptured at least some of the tension and body horror of The Ark in Space. The Sixth Doctor is well-written for a change and, notwithstanding some egregious character irrationality, the story works well.
Doctor Who: Planet of the Rani
by Marc Platt (Big Finish, 2015)
Colin Baker remains a powerful presence but the plot and character motivations are all over the place. Platt has latched on to the conceit that the Sixth Doctor can defeat all the evils of the universe solely through dint of supercilious speech-making.
Doctor Who: The Sandman
by Simon A. Forward (Big Finish, 2002)
A nice SF concept, which affords plenty of scope for the Sixth Doctor’s almost bipolar swings between compassion and firewalled ‘otherness’. Colin Baker once again shows that he could have been great if given something to work with by JNT and company.