Doctor Who: The Devil’s Chord
by Russell T Davies; dir. Ben Chessell (BBC, 2024)
Maestro presents as a seriously deranged threat—albeit one that would have hit home harder had (a) Gatwa’s Doctor an established track record (beyond happy-go-running-away), and (b) they not been meekly sacrificed to a larger story arc (plus delirious show-choir song-and-dance routine).
Doctor Who: Space Babies
by Russell T Davies; dir. Julie Anne Robinson (BBC, 2024)
Part exposition for new watchers, part setup for the rest of the series, but mostly just the only story that Russell T Davies could come up with having pulled the title ‘Space Babies’ from a random text generator. Ebullient but rather forced.
Doctor Who: The Church on Ruby Road
by Russell T. Davies; dir. Mark Tonderai (BBC, 2023)
Davies scripts a bonhomous if heavy-handed, found-family Christmas special that rattles along while re-treading old ground (his own Whoeuvre plus a sing-and-dance tribute to Labyrinth). Ncuti Gatwa takes the Doctor’s zest for life and channels it into a more tactile, people-friendly persona.
Doctor Who: The Giggle
by Russell T. Davies; dir. Chanya Button (BBC, 2023)
Neil Patrick Harris exudes menace as the Toymaker, yet the magnitude of his power (alluded to by the fate of the Master and the Guardians) is undermined by the utterly facile nature of the games chosen. Inexplicably, Ncuti Gatwa debuts without pants.
Doctor Who: Wild Blue Yonder
by Russell T. Davies; dir. Tom Kingsley (BBC, 2023)
A worthwhile experiment, Midnight-ish in nature with perhaps a spot too much ‘Everything Everywhere All at Once’ thrown in (the more grotesque shapeshifting tending to detract from the central concept). Not a lot of re-watch value except for the evil doppelgänger acting.
Doctor Who: The Star Beast
by Russell T. Davies; dir. Rachel Talalay (BBC, 2023)
Russell T. Davies returns to Doctor Who as if on a season pass he misplaced for fifteen years, and brings David Tennant and Catherine Tate along for the ride, scripting a fun, tonally frivolous special that nevertheless checks assumptions at every turn.
The Black Archive #38: The Sound of Drums / Last of the Time Lords
by James Mortimer (Obverse Books, 2019)
Refreshingly, Mortimer doesn’t attempt to relate Series Three’s two-part finale to any particular body of theory, preferring to assess its dark themes as presented within the context of Russell T Davies’ helmsmanship. A short, accessible read, albeit occasionally gawky in its prose.
Jenny: The Doctor’s Daughter – Prisoner of the Ood
by John Dorney (Big Finish, 2018)
John Dorney is perhaps the best of Big Finish’s regular writers. Prisoner of the Ood has a conspicuous Doctor Who vibe (Russell T Davies era) and an intelligent script, showcasing Georgia Tennant while using Jenny’s character newness to camouflage its in-premise artifice.
Doctor Who: Rose
by Russell T Davies (BBC Worldwide, 2018); audiobook read by Camille Coduri (W.F. Howes, 2018)
As Doctor Who novelisations go, this one is quite special. Russell T Davies has an easy style and fleshes out his original story, adding considerable depth to Rose and also many of the minor characters. Camille Coduri’s audiobook reading captures the nuances.
Now We Are Six Hundred: A Collection of Time Lord Verse
by James Goss; ill. Russell T Davies (BBC Books, 2017)
By themselves Davies’ illustrations would make this a 4-star book, but the unmitigated celery stick of Goss’s verse (so-called) diminishes this to a dudgeon-inducing 1-star cash-in from the direst depths of e-space. Utterly unreadable to poets, Doctor Who fans and everyone else.