Jeeves & Wooster, Series One
adapted by Clive Exton, dir. Robert Young (ITV, 1990)
A frivolous bit of fun, and well-cast (in the over-the-top support roles as well as Fry & Laurie, who are about as Jeeves-ish & Wooster-like as one could imagine). Ultimately, however, there’s only so much that can be done without Wodehouse’s prose.
Much Obliged, Jeeves
by P. G. Wodehouse (Barrie & Jenkins, 1971)
audiobook read by Dinsdale Landen (Bolinda, 2014)
Standard fare with many a trope revisited and little to distinguish it from preceding volumes. (A pleasantly diverting rehash!) Landen, though generally sound as a narrator, grows carried away when dishing out dialogue, often running it together, blending characters into one another.
The Clicking of Cuthbert
by P. G. Wodehouse (Herbert Jenkins, 1922)
audiobook read by Frederick Davidson (Blackstone, 1998)
Ten golfing short stories, diverting enough when taken individually but together not unlike hacking at the Lernaean Hydra with a niblick. Wodehouse evinces his usual way with words but, tongue-in-cheek fantasy historical tale ‘The Coming of Gowf’ notwithstanding, lacks for club selection.
Something Fresh
by P G Wodehouse (Methuen, 1915)
audiobook read by Frederick Davidson (Blackstone, 1995)
The first Blandings Castle novel evinces much of Wodehouse’s penchant for twisty intertwinings of plot, and even more of his fondness (particularly in the early days) for facetious observation and scathing characterisation. Compared to later works, however, it’s all a bit artificial.
Very Good, Jeeves
by P.G. Wodehouse (Doubleday, Doran, 1930)
audiobook read by Jonathan Cecil (Blackstone, 2011)
Wodehouse give the impression he could dash off a Jeeves & Wooster story between breakfast and elevenses, and would happily do so should ever he feel himself wanting for joie de vivre. Jonathan Cecil gives perfect voice to the frivolous restorative fizz.
Uncle Fred in the Springtime
by P.G. Wodehouse (Doubleday, Doran, 1939)
audiobook read by Stephen Fry (Audible, 2021) [as part of “The Blandings Collection”]
![Book cover: “Uncle Fred in the Springtime” by P.G. Wodehouse (Doubleday, Doran, 1939); audiobook read by Stephen Fry (Audible, 2021) [as part of “The Blandings Collection”]](https://www.derelictspacesheep.com/wp-content/uploads/2023/03/Wodehouse_Uncle-Fred-in-the-Springtime.jpg)
Perhaps the most twisted and entwined plot that Wodehouse ever laid down. If anything, the Gordian Knot is perhaps too great, for the sheer effort of describing it leaves Wodehouse a bit short of his usual sparkle, the pitfalls not so precarious.
Sunset at Blandings
by P.G. Wodehouse (Chatto & Windus, 1977; revised Everyman’s Library, 2015)
The final, unfinished Wodehouse novel. Much like Pratchett’s ‘The Shepherd’s Crown’, the un-fleshed-out text stirs memories of what was, while throwing light on the authorial process. In this instance, Plum-worship has led to the adding of copious and mostly inconsequential third-party annotations.
Jeeves and the Leap of Faith
by Ben Schott (Little, Brown and Company, 2020); audiobook read by Daniel Ings (Hachette, 2020)
An earnest but ultimately pallid homage. The characters are in keeping, the plot suitably entangled. But while conscientious, Schott’s pastiche lacks the trenchant delivery with which Wodehouse chivvied his characters towards the denouement (here lacking). Ings’s audiobook reading is rather too restrained.
Hot Water
by P G Wodehouse (Herbert Jenkins, 1932); audiobook read by Jonathan Cecil (Blackstone, 2012)
Not from one of Wodehouse’s famous series, but ably representative of his work. There are facetious conversations and flippant undertakings aplenty—ill-fated engagements; romantic entanglements and misunderstandings; comedowns and comeuppances—all steaming towards each other like ocean liners converging on an iceberg.
A Damsel in Distress
by P G Wodehouse (Herbert Jenkins, 1919); audiobook read by Frederick Davidson (Blackstone Audio, 1993)
For readers without a Blandings Castle novel to hand, this early Wodehouse comedy will oblige most admirably as a surrogate. While the plot involves misunderstandings of romantic entanglement, these serve merely to backdrop the page-by-page brush swirl of Wodehouse’s exquisitely trenchant prose.