Doctor Who: Conflict Theory
by Nev Fountain; dir. Scott Handcock (Big Finish, 2020)
A fun, frivolous story that, beneath clever execution, explores the more serious question of the Doctor’s culpability in exposing his companions to danger. Fountain’s script is spot-on. Colin Baker and Nicola Bryant revel in a character dynamic rarely done justice on television.
Doctor Who: The Doomsday Contract
by John Lloyd; adapted by Nev Fountain (Big Finish, 2021)
Originally commissioned during Douglas Adams’ tenure as script editor, The Doomsday Contract exhibits a Hitchhiker’s tonality but without quite the same zest. Tom Baker gives it some welly but the denunciation of bureaucracy via reductio ad absurdum seems a bit old hat.
Missy: The Broken Clock
by Nev Fountain (Big Finish, 2019)
Nev Fountain certainly isn’t afraid to try something different. Here we’re given a faux- cheesy American reconstruction of an impossible historical murder spree laced with metatextual fourth-wall breakings (themselves explained in-story). Though it’s clever and fun, fake fakeness still sounds risibly fake.
The Diary of River Song: The Lady in the Lake
by Nev Fountain (Big Finish, 2018)
A story that is challenging in its complexity (intriguingly rather than dishearteningly so) and mischievous in its characterisation, with artful twists and generally just a very clever execution. Fountain brings a creativity that Big Finish would do well to embrace more often.