Missy: The Belly of the Beast
by Jonathan Morris (Big Finish, 2019)
A well-acted story with a callous, slightly loop premise and Caves of Androzani vibes (treated with uncommon restraint by the Big Finish effects department). Though perfectly enjoyable, this does rather feel as if Morris dusted off an old script featuring the Rani.
Missy: The Broken Clock
by Nev Fountain (Big Finish, 2019)
Nev Fountain certainly isn’t afraid to try something different. Here we’re given a faux- cheesy American reconstruction of an impossible historical murder spree laced with metatextual fourth-wall breakings (themselves explained in-story). Though it’s clever and fun, fake fakeness still sounds risibly fake.
Missy: Divorced, Beheaded, Regenerated
by John Dorney (Big Finish, 2019)
John Dorney’s first contribution to the range is an exuberant run-around that pits Missy against the Meddling Monk (a most welcome addition, played superbly by Rufus Hound). An overabundance of repartee makes for great fun yet leaves little room for dramatic substance.
Missy: A Spoonful of Mayhem
by Roy Gill (Big Finish, 2019)
A well-considered introduction to the series, stripping Missy of her ability to kill and thereby transforming her from Machiavellian villain to insouciant anti-hero. She’s even given two temporary companions who are held in thrall to her mystique (much like the Doctor’s are).
Dr. Twelfth
by Adam Hargreaves (Penguin, 2017)
One of Hargreaves’ better efforts. The Doctor succeeds in foiling Missy’s convoluted and nefarious plan—without understanding it or allowing her to explicate! His insouciance is a nice touch but, even so, the story fails to live up to the cover’s allure.