The Travelling Cat Chronicles
by Hiro Arikawa, trans. Philip Gabriel (Doubleday, 2017); audiobook read by George Blagden (Transworld, 2018)
A simple, at times wistful exploration of life in Japan, told by way of old friendships revisited and the devoted owner/pet relationship the protagonist shares with his cat. While Arikawa captures the power of childhood memories, the cat’s direct observations add little.
Pinball, 1973
by Haruki Murakami (Kodansha International, 1980); trans. Ted Goossen; audiobook read by Kirby Heyborne (Random House Audio, 2015)
In volume two of the Rat tetralogy, Murakami renews his commitment to dressing up shallow student nihilism as intellectual profundity. The contemplative simplicity of prose, the bleakness of the narrator’s mindset and the banality of subject matter combine alluringly, only to deceive.
The Cat Who Saved Books
by Sosuke Natsukawa (2017); trans. Louise Heal Kawai; audiobook read by Kevin Shen (Picador, 2021)
The cat gives off Alice in Wonderland vibes and there’s a dark, almost elegiac edge to the book-rescuing missions it cajoles teenage shut-in Rintaro Natsuki into undertaking. Through Rintaro’s coming of age, Natsukawa expresses love for and extols the virtues of books.
Hear the Wind Sing
by Haruki Murakami (Kodansha International, 1979); trans. Ted Goossen; audiobook read by Kirby Heyborne (Random House Audio, 2015)
The narrator looks back on when he was a 21-year-old student of little interest to anyone. Murakami, rather like Vonnegut, writes what may or may not be deadpan literary satire. Narrator Kirby Heyborne does his best to make it all sound meaningful.
Doctor Who: The Jade Pyramid
by Martin Day (BBC Audio, 2010)
More a straightforward short story than novel, and with a production crackle marring Matt Smith’s suitably Doctor-esque flittering consciousness narration, this audiobook nevertheless stands out for its atypical Who setting (mediaeval Japan) and the uncommon, almost poetic refinement of Martin Day’s prose.