The ABC Murders
by Sarah Phelps; dir. Alex Gabassi (BBC, 2018)
A decidedly uncosy three-part miniseries that re-characterises Poirot from sprightly, upbeat master of all situations to inscrutable, world-weary has-been. John Malkovich is very good in the role but Agatha Christie purists may not appreciate the tonal shift (let alone the altered backstory).
The Murder of Roger Ackroyd
by Agatha Christie (William Collins, 1926); audiobook read by Hugh Fraser (Lamplight, 2014)
A much-lauded work that, nearly a century after first publication, remains deserving of its reputation. Poirot nudges the reader at every crucial point but never gives the game away. Christie sticks the landing (and really does make the most of Hastings’ departure)!
The Murder on the Links
by Agatha Christie (The Bodley Head, 1923)
audiobook read by Hugh Fraser (Lamplight, 2014)
Setting aside Hastings and his galling outbreak of instalove, this is a thoroughly enjoyable piece of detective fiction—lucidly told and ingenious, affording an excellent vehicle for Hercule Poirot. There are coincidences, of course, but of the less egregious kind. Misleading title.
Poirot Investigates
by Agatha Christie (The Bodley Head, 1924); audiobook read by David Suchet (HarperAudio, 2012)
Poirot is well suited to the short story form—a less faceted character than Holmes but more endearing and also more inclined to solve cases from the evidence at hand. Hastings, however, narrates like Bertie Wooster and makes a poor Watson substitute.
The Mysterious Affair at Styles
by Agatha Christie (John Lane, 1920); audiobook read by Hugh Fraser (Harper Collins, 2006)
An agreeable debut for both Christie and Poirot; yet for all the ingenious conception and deft foreshadowing, its mystery nevertheless comes across more as an intellectual puzzle for the author to have pieced together than as a whodunnit to engage the reader.