Doctor Who: The Power of Three
by Chris Chibnall; dir. Douglas Mackinnon (BBC, 2012)
An important episode in Amy and Rory’s storyline. Gentle humour, endearing character moments, but the ‘stuff of nightmares’ Shakri are brushed aside with laughable ease. Chibnall might have done better to spend less time on Rory’s dad and more on the resolution.
Doctor Who: The Unquiet Dead
by Mark Gatiss; dir. Euros Lyn (BBC, 2005)
A pronounced example, early in the format, of everything happening too fast. While Dickens and Gwyneth are good value, and there’s depths to plumb in Eccleston’s Doctor’s fair-weather avuncularity (a domineering temper simmering behind the goofy grin), it all just rattles by.
TV Comic Annual 1968
(TV Publications, 1967)
An abysmally written Adam Adamant short story, plus 90 pages of lame comics. Two simplistic, murkily illustrated four-page Doctor Who strips feature an overly tall Second Doctor defeating (with mammoths) Trods and (with rocks) Daleks, having first pre-invented the Goodies’ flying trandem!
Doctor Who: Mind of the Hodiac
by Russell T Davies & Scott Handcock (Big Finish, 2022)
This two-parter is rather too long for what it offers, though the female-centric plot is welcome and Colin Baker is once again a delight. Davies and Handcock capture the Sixth Doctor’s personality, yet (as usual) have him largely superfluous to the resolution.
Doctor Who: The Doctor, the Widow and the Wardrobe
by Steven Moffat; dir. Farren Blackburn (BBC, 2011)
“This hammock has developed a fault.” With his childlike enthusiasms and underlying vulnerability, the Eleventh Doctor is tailor-made for holiday specials. This one is a near-perfect concoction of whimsy, adventure and rousing Christmas miracle. Holly Earl and Matt Smith are both brilliant.
Doctor Who: Out of Time
by Matt Fitton; dir. Nicholas Briggs (Big Finish, 2020)
David Tennant and Tom Baker make for an arresting duo and are given time to interact, the story’s emotional depth further complemented by Kathryn Drysdale’s performance as Jora. A shame, then, that the threat had to come from blustering, blogging, self-opinionated Daleks.
Doctor Who: The Five Companions
by Eddie Robson (Big Finish, 2011)
Nostalgia is well and truly satisfied with five former companions yanked back into the fray. Evergreen acting chops notwithstanding, the opportunity for poignant character moments is largely frittered away in a pointless Death Zone slugfest involving Sontarans, dinosaurs and, inevitably, screeching Daleks.
Doctor Who: The Daleks in Colour
by Terry Nation, with new material by Russell T Davies; ed. Benjamin Cook (BBC, 2023)
The colouring works well! However, too much plot has been expurgated, leaving this version frenetic and a good 25 minutes short. Quiet moments, suspense and drama give way to near-farcical, jump-cut action montages and the grandiloquent fanfare of Mark Ayres’ new score.
Doctor Who: The Celestial Toymaker
by Brian Hayles; dir. Bill Sellars (BBC, 1966/2024)
The most ambitious lost story animation to date. Even if the characters now stray into the uncanny valley, the 3D, multi-angle approach offers a zaniness lacking in the original. The colour version is particularly eye-catching… but it’s still a deplorably weak script.
Doctor Who: Psi-ence Fiction
by Chris Boucher (BBC, 2001)
Boucher knows how to build a story, if not how to end one; how to flesh out minor characters, if not how to distinguish them; and above all how to write for Leela… even if portraying the Doctor as a high-functioning psychotic!