Tag: Diana Wynne Jones

Auntie Bea’s Day Out

Auntie Bea’s Day Out

by Diana Wynne Jones (1978); collected in “Freaky Families”, audiobook read by Penelope Rawlins (Clipper Audio, 2013)

Book cover: 'Freaky Families' by Diana Wynne Jones

A fun but insubstantial middle-grade adventure where children are dragged about by an oblivious, over-the-top adult and… magical things happen. The adult doesn’t notice. The children do, but have no agency and function merely as observers. A fairly pointless exercise in imagination.

The Four Grannies

The Four Grannies

by Diana Wynne Jones (H. Hamilton, 1980); collected in “Freaky Families”, audiobook read by Penelope Rawlins (Clipper Audio, 2013)

Book cover: 'The Four Grannies' by Diana Wynne Jones

An irreverent middle-grade story in the Roald Dahl mode, though with not-so-horrible characters, less revelling in the mischief making, and far less of a comeuppance. Erg’s marvellous invention and his use of it tend more towards gormlessness than a proper childhood uprising.

Howl’s Moving Castle

Howl’s Moving Castle

dir. Hayao Miyazaki (2004)

Howl's Moving Castle_2004

The anime adaptation of Diana Wynne Jones’s novel is fantasy in the truest sense, delivering a story predicated more on imagery and impression than narrative structure. The delivery is both visually striking and vocally effective, promoting strong anti-war, pro-age and pro-compassion sentiments.

 

 

The Dark Lord of Derkholm

The Dark Lord of Derkholm

by Diana Wynne Jones (Gollancz, 1998); audiobook read by Jonathan Broadbent (Clipper, 2013)

Jones_Dark Lord Derkholm

The concept is clever—explaining at last the genre-wide recrudescence of fantasy dark lords!—and Derk and Mara’s human-griffin family makes a pleasing point of (embracing) difference. The story itself, however, merely demonstrates cliché, dragging, meandering and bloviating to no great purpose.

 

 

Charmed Life

Charmed Life

by Diana Wynne Jones (Macmillan, 1977); audiobook read by Tony Robinson (AudioGO, 2011)

Jones_Charmed Life

Jones deftly establishes a parallel world in which magic is commonplace, and a cast of characters where the identity of the villain—and even that of the protagonist!—remains convincingly ambiguous. Tony Robinson’s audiobook reading elevates the story to a new level.

 

 

Derelict Space Sheep