Tag: comics

The Complete Peanuts: 1993 to 1994

The Complete Peanuts: 1993 to 1994

by Charles M. Schulz (Fantagraphics Books, 2014)

Schulz_Complete Peanuts 1993-1994

Spurred perhaps by Rerun’s belated coming of age, Schulz bestows upon the Peanuts gang some nice little touches of character growth (Charlie Brown’s more active pursuit of the Little Red-Haired Girl, for instance). Unfortunately, his once-consummate penmanship is starting to look shaky.

 

 

The Complete Peanuts: 1971 to 1972

The Complete Peanuts: 1971 to 1972

by Charles M. Schulz (Fantagraphics Books, 2009)

Schulz_Complete Peanuts 1971-1972

An evocatively drawn mix of wit, whimsy and preternatural wisdom. Poor old wishy-washy Charlie Brown remains the unifying figure but there are a good number of delightfully droll (and character-defining) strips involving Peppermint Patty, Sally Brown, and in particular Lucy van Pelt.

 

 

The Hive

The Hive

by Charles Burns (Pantheon, 2012)

Burns_Hive

In what already was a knotty and obscure story, Burns contrives to add new layers, answering few (if any) of the questions raised in X’ed Out. At this point it’s hard to see the trilogy delivering more than just mood and grotesquerie.

 

 

Black Hole

Black Hole

by Charles Burns (Pantheon, 2005) [collecting Black Hole #1-12, Fantagraphics, 1995-2004]

Burns_Black Hole

Burns goes all out in this shadowy and grotesque, trippy mix of 70s teen culture, body horror and sexually explicit allegory (self-identity; belonging). The plot is deliberately abstruse, and though the black-and-white artwork is striking, some characters are hard to tell apart.

 

 

X’ed Out

X’ed Out

by Charles Burns (Pantheon, 2010)

Burns_X'ed Out

In this confronting homage, Burns shows us what Tintin’s adventures might be like if they took place in a grim alternative reality (think the Upside Down of ‘Stranger Things’). Burns lacks Hergé’s sense of movement and pacing but this remains darkly memorable.

 

 

The Wayward Leunig

The Wayward Leunig: Cartoons That Wandered Off

by Michael Leunig (Viking, 2015)

Leunig_Wayward Leunig

This collection shows that more is less for Leunig. Those cartoons with few or no words are often striking and droll, whereas those given to loquacity (or worse, second- and third-rate poetry) are increasingly hard to stomach. The cumulative effect is… depressing.

 

 

Dollhouse: Epitaphs

Dollhouse: Epitaphs

by Andrew Chambliss et al. (Dark Horse, 2012) [compiling Dollhouse #1-5]

Chambliss_Epitaphs

In style, script and content, ‘Epitaphs’ is a perfectly adequate post-apocalyptic adventure, yet like its television namesake ‘Epitaph One’ (the unaired offspring of Dollhouse season one), it deals largely in new characters and bears almost no tonal resemblance to the parent programme.

 

 

Derelict Space Sheep