Category: 42 Word Retrospectives

The Naked Sun

The Naked Sun

by Isaac Asimov (Doubleday, 1957)

audiobook read by William Hope (HarperVoyager, 2024)

Book cover: “The Naked Sun” by Isaac Asimov (Doubleday, 1957); audiobook read by William Hope (HarperVoyager, 2024)

A short story’s worth of mystery spread rather too thin across a novel-length exploration. With Earth detective Elijah Baley as his mouthpiece, Asimov pits two extremes against one another and thus postulates his way deeper into the sociological implications of robot dependency.

Carpe Jugulum

Carpe Jugulum

by Terry Pratchett (Doubleday, 1998)

audiobook read by Nigel Planer (Isis, 2000)

Book cover: “Carpe Jugulum” by Terry Pratchett (Doubleday, 1998); audiobook read by Nigel Planer (Isis, 2000)

A perfectly respectable Discworld novel. The vampires pose a serious threat; Agnes Nitt evinces personality(ies). Still, there are rather more characters than focus, and thus a nagging sense of Pratchett extemporising a skyscraper and pulling it into place at the pointy end.

The French Powder Mystery

The French Powder Mystery

by Ellery Queen (Frederick A. Stokes, 1930)

audiobook read by Robert Fass (Blackstone, 2013)

Book cover: “The French Powder Mystery” by Ellery Queen (Frederick A. Stokes, 1930); audiobook read by Robert Fass (Blackstone, 2013)

More of the same. Ellery pontificates upon every detail in a manner contrived to suggest great intelligence (while painstakingly running through deductions). The investigation plays out blow-by-mundane-blow with much repetition, asking little of the reader save incredulity at the culprit’s day job.

A Book for Kids

A Book for Kids

by C.J. Dennis (Angus & Robertson, 1921)

audiobook read by Colin Friels (ABC Audio, 2016)

Book cover: “A Book for Kids” by C.J. Dennis (Angus & Robertson, 1921); audiobook read by Colin Friels (ABC Audio, 2016)

Supposedly unabridged, this audiobook in fact omits the stories, leaving only Dennis’s verse—short, rather dated bush ballads, their rhyme too simple for adults, the language too sophisticated for children. Colin Friels revisits his Play School days but fights a losing battle.

To the Dark Tower

To the Dark Tower

by Victor Kelleher (Julia MacRae, 1992)

audiobook read by Francis Greenslade (Bolinda, 2007)

Book cover: “To the Dark Tower” by Victor Kelleher (Julia MacRae, 1992); audiobook read by Francis Greenslade (Bolinda, 2007)

A suitably atmospheric, at times unsettling MG reworking of Robert Browning’s narrative poem ‘Childe Roland to the Dark Tower Came’. Engrossing at the outset, the story sags in the middle but redeems itself with a measured, rather downbeat ending to the quest.

Gently in the Sun

Gently in the Sun

by Alan Hunter (Cassell, 1959)

audiobook read by Andrew Wincott (Magna, 2013)

Book cover: “Gently in the Sun” by Alan Hunter (Cassell, 1959); audiobook read by Andrew Wincott (Magna, 2013)

Atmospheric prose, unaccountable as a murder investigation. Gently dons an Hawaiian shirt and tries to solve the case through mystic osmosis. The only progress comes when people approach him of their own accord to volunteer information. Even then he gets it wrong.

Seven Dead

Seven Dead

by J. Jefferson Farjeon (Collins, 1939)

audiobook read by David Thorpe (Soundings, 2020)

Book cover: “Seven Dead” by J. Jefferson Farjeon (Collins, 1939); audiobook read by David Thorpe (Soundings, 2020)

A Golden Age mystery with vim. The scenario is striking but the biggest drawcard is Detective Inspector Kendall (straight-talking, sarcastic, almost manically bonhomous), who even when absent for a long stretch mid-book is ably deputised by a good-natured and loquacious civilian offsider.

Sunday’s Fun Day, Charlie Brown

Sunday’s Fun Day, Charlie Brown

by Charles M. Schulz (Titan Comics, 2021)

[Reproducing the same title published by Holt, Rinehart and Winston, 1968]

Book cover: “Sunday’s Fun Day, Charlie Brown” by Charles M. Schulz (Titan Comics, 2021) [Reproducing the same title published by Holt, Rinehart and Winston, 1968]

A small-scale paperback volume collecting Sunday strips (approximately 59% of those published) from 1962-1965. The winnowing results in a strong mix, but Titan Comics have opted for black-and-white facsimiles instead of the colour reproductions that would make this anything but an also-ran.

Father Brown, Series 1 (1984-1985)

Father Brown, Series 1

by G.K. Chesterton; dramatised by John Scotney (BBC Radio 4, 1984-1985)

Radio drama cover: “Father Brown, Series 1 and 2” by G.K. Chesterton; dramatised by John Scotney (BBC Radio 4, 1984-1985); review of Series 1

Straightforward radio adaptations of seven Father Brown short stories. Andrew Sachs is soft-spoken and preoccupied in the lead role—which works as characterisation, but then ill-considered fluctuations in the recording volume see him drowned out by louder voices, crosstalk and sound effects.

The Moving Finger

The Moving Finger

by Agatha Christie (Dodd, Mead and Company, 1942)

audiobook read by Joan Hickson (Lamplight, 2015)

Book cover: “The Moving Finger” by Agatha Christie (Dodd, Mead and Company, 1942); audiobook read by Joan Hickson (Lamplight, 2015)

Joan Hickson (TV’s Miss Marple) would seem the perfect audiobook narrator… except that Miss Marple is absent for the first three-quarters and barely present for the remainder, the viewpoint character being a young man. Instead we’re given banal set-up plus egregious instalove.

Derelict Space Sheep