Category: 42 Word Retrospectives

Maid Marian and her Merry Men, Series 1

Maid Marian and her Merry Men, Series 1

by Tony Robinson; dir. David Bell (BBC, 1989)

TV poster: “Maid Marian and her Merry Men, Series 1” by Tony Robinson; dir. David Bell (BBC, 1989)

One-of-a-kind children’s comedy with a penchant for slow-rapped beatbox scene-setting (courtesy of Danny John-Jules). Episodes rattle along through a gamut of small-scale absurdisms, over-the-top, self-aware characters, corny anachronisms and genuine wit. Tony Robinson brings Blackadder vibes as the villainous Sheriff of Nottingham.

The Left Hand of Darkness

The Left Hand of Darkness

by Ursula K. Le Guin (Ace, 1967)

audiobook read by George Guidall (Recorded Books, 2017)

Book cover: “The Left Hand of Darkness” by Ursula K. Le Guin (Ace, 1967); audiobook read by George Guidall (Recorded Books, 2017)

Accomplished prose, meticulous worldbuilding. The Left Hand of Darkness won Nebula and Hugo Awards, and on the strength of its pioneering contribution to feminist SF, who can argue? The plot, however, is far from riveting—a slog for readers and characters alike.

Faerie Tale

Faerie Tale

by Raymond E. Feist (Doubleday, 1988)

Book cover: “Faerie Tale” by Raymond E. Feist (Doubleday, 1988)

While Feist’s leisurely characterisation of the Hastings family draws the reader in and makes them susceptible to the creeping dread of faerie lore, the workmanlike omniscient narrative and muddled plot (once removed of its glamour) are unlikely to truly unsettle adult readers.

The Edinburgh Mystery and Other Tales of Scottish Crime

The Edinburgh Mystery and Other Tales of Scottish Crime

ed. Martin Edwards (British Library Crime Classics, 2022)

audiobook read by Sarah Barron, Mark Meadows, David Monteath & John Telfer (Soundings, 2023)

Book cover: “The Edinburgh Mystery and Other Tales of Scottish Crime” ed. Martin Edwards (British Library Crime Classics, 2022); audiobook read by Sarah Barron, Mark Meadows, David Monteath & John Telfer (Soundings, 2023)

A readable but unremarkable collection of historically overlooked short stories. Though often possessed of comely prose, few are satisfying as mysteries—tending to some combination of character vignette without detection, token framework for clever ‘shock’ ending, or revelation based on withheld information.

The Strange Case of Dr Jekyll and Mr Hyde

The Strange Case of Dr Jekyll and Mr Hyde

by Robert Louis Stevenson (Longmans, Green & Co., 1886)

audiobook read by Ian Holm (Canongate, 2007)

Book cover: “The Strange Case of Dr Jekyll and Mr Hyde” by Robert Louis Stevenson (Longmans, Green & Co., 1886); audiobook read by Ian Holm (Canongate, 2007)

Stevenson’s gothic horror novella holds up well, despite the plot twist being well and truly out of the bag for modern readers. The story’s original publication as a ‘shilling shocker’ reflects the sensationalist speculative element rather than any dearth of literary quality.

The Sea of Adventure

The Sea of Adventure

by Enid Blyton (Macmillan, 1948); audiobook read by Thomas Judd (Bolinda, 2021)

Book cover: “The Sea of Adventure” by Enid Blyton (Macmillan, 1948); audiobook read by Thomas Judd (Bolinda, 2021)

Blyton mixes the formula just right in this fourth adventure, adding a real sense of peril to the usual holiday atmosphere. The girls make genuine contributions. Huffin and Puffin, with only one syllable between them, enter the pantheon of great support characters!

The Possessors

The Possessors

by John Christopher (Hodder & Stoughton, 1965)

Book cover: “The Possessors” by John Christopher (Hodder & Stoughton, 1965) [Sphere, 1978 edition]

The sort of novel whose publication in 1965 might well have informed Innes Lloyd and Gerry Davis as they gravitated Doctor Who towards ‘base under siege’ stories. Christopher postulates an isolated setting and bleak alien invasion scenario, grimly explored through damaged characters.

Derelict Space Sheep