The Gods Must Be Crazy
dir. Jamie Uys (1980)
Though of questionable accuracy in depicting African peoples and race relations, this film is cleverly put together and contains masterful flourishes of physical comedy—particularly those sequences where events conspire to render biologist Andrew Steyn’s resourcefulness and bush know-how as hapless bumbling.
The Wolves of Willoughby Chase
by Joan Aiken (Jonathan Cape, 1962)
Set in an alternative, wolf-plagued 19th-Century England, this first book of Aiken’s Wolves Chronicles captures both the stark, chill beauty of the countryside and the wanton cruelties suffered by orphans of the time. A bleak—almost Dickensian!—yet happily ending quest fantasy.
Doctor Who: The Moonbase
by Kit Pedler; dir. Morris Barry (BBC, 1967/2014)
An effective story for the first two episodes, which are spent building the tension and establishing the (vital but ludicrously understaffed and without built-in redundancy) moonbase. Then the Cybermen bust out their dance moves and some very, very daft plans. Logic, schmogic.
The Mystery of the Hidden House
by Enid Blyton (Methuen, 1948)
Fatty and Co. invent a mystery to dupe Goon’s nephew, who then stumbles upon the real thing. Blyton takes the story into more adult territory (corporal punishment, kidnapping) and hints at a lesson in consequences, though never quite bringing out the moral.
Doctor Sally
by P. G. Wodehouse (Methuen, 1932); audiobook read by Paul Shelley (Bolinda, 2015)
A short, frivolous bit of fun. As is his wont, Wodehouse construes love as arising from the drop of a hat, but in this instance the cast of dithering males play out their tangled misunderstandings for a woman of independence and discernment.
You’re a Good Scout Snoopy
by Charles M. Schulz (Hodder & Stoughton, 1979)
A collection of Sunday strips, only four of which feature Snoopy as scout leader (the remaining thirty-nine have a more generic Snoopy focus). This is unfortunate, as the scouting expeditions’ visual nature and last-panel sight gags benefit from the large-format colour presentation.
Day of the Starwind
by Douglas Hill (Victor Gollancz, 1980)
Book three of the Last Legionary quartet sees Keill Randor edge closer to the shadowy Warlord who masterminded his planet’s destruction. Hill has a knack for upping the stakes, pitting his protagonist against ever more serious threats. Clear, fast-moving middle-grade action SF.
The Mystery of the Missing Necklace
by Enid Blyton (Methuen, 1947)
Entertaining but something of a misstep. Fatty proves fallible, Goon shows himself to have brains, and the Five Find-Outers shadow and disrupt a police investigation rather than go about solving the mystery themselves. (Also, the gang members’ secret communications seem needlessly convoluted.)
The Disappearing TV Star
by Emily Rodda [with Mary Forrest] (Scholastic, 1994); audiobook read by Rebecca Macauley (Bolinda, 2005)
Not much of a mystery. Also, while the Teen Power kids prove fractious as ever, Richelle’s character is difficult to stomach in the first person. Her surprise revelation (which would have made sense from Nick’s POV) comes across as an authorial cheat.
The Snoopy Festival
by Charles M. Schulz (Holt, Rinehart & Winston, 1974)
A big collection of Snoopy-focussed strips—five weeklies or one colour Sunday per page across just shy of 200 pages. The colour strips are beautifully reproduced and the selection of dailies is good, albeit that a few ongoing storylines are left incomplete.