Raison D’Etre
by Timothy Zahn, Analog (October, 1981), pp. 94-109.
SF short story envisaging an off-books government project where comatose, telepathic/telekinetic infants, kept like battery hens, have their powers harnessed to neutralise radioactive waste. While Zahn presents a challenging moral dilemma, the first-person segments (one subject’s burgeoning awareness) make for laborious reading.
Monkey, Series 2
(Nippon, 1979-1980)
Half the episodes were adapted into English only for the 2004 DVD release, the step-down in quality highlighting the sublime mastery of David Weir’s original work. The second-string opening and closing themes are spirit-dampening missteps (though ‘Holy and Bright’ has its charms).
Men at Arms
by Terry Pratchett (Victor Gollancz, 1993)
audiobook read by Nigel Planer (Isis, 1996)
A consistently funny mystery scripted like a jigsaw puzzle. The sidelining of Vimes affords space for the new watchmen (Angua, Detritus, Cuddy) to shine, and for Carrot—so often reduced to a walk-on support role—to have his day in the sun.
Love Story in Three Acts
by David Gerrold
Nova One, ed. Harry Harrison (Delacorte, 1970); reprinted (Sphere, 1975), pp. 111-123.
SF short story. Gerrold’s two-hander sees a jaded couple hook themselves up to a ‘guidance model’ to improve their lacklustre lovemaking. Cue the retrospectively tame sex scene. Regrettably, the protagonists are banal archetypes, the ending a telegraphed twist (spoiler: the placebo effect).
The Quiet Woman
by Christopher Priest (Bloomsbury, 1990)
audiobook read by Jane Collingwood (Bolinda, 2016)
Granted, speculative fiction should contrast the everyday with the unreal; but Priest takes ‘everyday’ to banal extremes, and his ‘unreal’ is merely a half-baked melange of surveillance state and mental breakdown. A book-length, autological lament/sneer at the state of the publishing industry.
A Present From Joe
by Eric Frank Russell
Astounding Science Fiction (February 1949); reprinted Best sf: Science Fiction Stories, ed. Edmund Crispin (Faber and Faber, 1955), pp. 199-213.
SF short story. In his inimitable, puckish manner, Russell attributes mankind’s warlike propensities to the telepathically induced manipulations of a non-spacefaring alien race whose invasion plan requires humanity first to come to them! The aliens’ POV reveals a Machiavellian kinship of thought.
The New Wine
by John Christopher
from The Twenty-Second Century (Grayson & Grayson, 1954); reprinted Best sf: Science Fiction Stories, ed. Edmund Crispin (Faber and Faber, 1955), pp. 168-182.
SF short story that starts off exploring the emotional ramifications of time dilation (for a couple soon to be separated), before segueing into a threnody on reckless, irreversible scientific experimentation (induced telepathy). Sombre food for thought, undermined by a token twist ending.
New Order, live @ Brisbane Riverstage
(11 March 2025)
New Order took to the Riverstage (post Cyclone Alfred!) with one guitar too many and Bernard Sumner’s vocals mixed too low for an outdoor performance. Still they showed glimpses of synth-rock ascendancy. Highlights included ‘State of the Nation’, ‘Sub-culture’ and ‘Blue Monday’.
Arne Dahl: Europa Blues
(SVT, 2012 / BBC, 2013) [subtitled]
![TV poster: “Arne Dahl: Europa Blues” (SVT, 2012 / BBC, 2013) [subtitled]](https://www.derelictspacesheep.com/wp-content/uploads/2025/03/Arne-Dahl_Europa-Blues.png)
A suitably grim and downbeat ending to the series. Again, one of A-group has an unlikely personal connection to the case—Arto Söderstedt (Niklas Åkerfelt) maxing out on harried lightbulb moments while events go to hell for everyone concerned, good or bad.
The Departed
dir. Martin Scorsese (2006)
A paragon of its genre, albeit with Matt Damon who is outshone not only by DiCaprio (nuanced and convincing) and Nicholson (borderline unhinged) but also by just about everyone else, including Conor Donovan in a few brief scenes as his younger self.