Science Fiction Movies
by Philip Strick (Octopus Books, 1976)
Broad in its definition of science fiction, wide-ranging in its consideration of obscure and/or non English–language movies, Strick’s compendium offers both a balanced, incisive overview of the vintage SF corpus and a good-humoured jumping-off point for delving into individual genre films.
Split Enz, the DVD
(Mushroom, 2002)
Eighteen music videos, ten live tracks, plus the 1993 documentary “Spellbound” showcase the ever-kooky, often troubled evolution of Split Enz from affectedly gauche musical theatre act to art-rock, trans-Tasman titans. Driven by Tim (and sometimes Neil) Finn, held together by Eddie Rayner.
Department Q: The Absent One
dir. Mikkel Nørgaard (2014) [Danish, subtitled; originally ‘Fasandræberne’]
![Film poster: “Department Q: The Absent One” dir. Mikkel Nørgaard (2014) [Danish, subtitled; originally ‘Fasandræberne’]](https://www.derelictspacesheep.com/wp-content/uploads/2025/03/Department-Q_Absent-One.jpg)
The second Department Q film is particularly confronting, bringing to light a spree of assaults, rapes and (ultimately) murders perpetrated at the carefree whim of wealthy, privileged boarding students. Johanne Louise Schmidt furthers the cast dynamic, playing the proactive new secretary Rose.
First Term at Malory Towers
by Enid Blyton (Methuen, 1947)
audiobook read by Beth Eyre (Hodder Children’s, 2017)
The first book of what might be Blyton’s best series. First Term introduces the characters and setting while forever preserving the boarding experience within a spirit of post-war optimism. A delightful school story with ups and downs and an open, straightforward charm.
Protection
by Robert Sheckley
Galaxy Science Fiction (April, 1956); UK No. 39 (June, 1956), pp. 54-63.
One of those technically insubstantial Sheckley short stories that nevertheless skims along with sufficient comedic insouciance to qualify as a good read. The protagonist accepts an alien protection service, just because it’s free, but in doing so brings about his own undoing.
The Girl on the Boat
by P.G. Wodehouse (George H. Doran, 1922)
audiobook read by Frederick Davidson (Blackstone, 1998)
Consummate audiobook reading. Incongruous cover. Though P.G. muffs the ending a bit—rather than prove himself through breaking up a dog fight, Sam Marlowe prevails upon Billie Bennett as a cowardly Galahad—the buildup is vintage Wodehouse, ingeniously woven and drolly expressed.
The Tricksters
by Margaret Mahy (Orion, 1986; CollinsFlamingo, 2001)
A supernatural coming-of-age novel. The large family cast adds a chaotic, disorientating element but also a homely verisimilitude plus, it turns out, a mystery hiding in plain sight (masquerading as a smokescreen for the overt, speculative goings-on!). Slow-building but worth committing to.
Kiss Me Kate, Series 1
by Chris Langham & John Morton (BBC, 1998)
A delightfully droll, oft-overlooked British sitcom that sails along on character interplay and comic timing. Perfectly cast with Caroline Quentin playing a sardonic counsellor, Chris Langham her deadpan colleague, Amanda Holden their naïve receptionist, and Darren Boyd their affable but dim-witted co-tenant.
Raison D’Etre
by Timothy Zahn, Analog (October, 1981), pp. 94-109.
SF short story envisaging an off-books government project where comatose, telepathic/telekinetic infants, kept like battery hens, have their powers harnessed to neutralise radioactive waste. While Zahn presents a challenging moral dilemma, the first-person segments (one subject’s burgeoning awareness) make for laborious reading.
Monkey, Series 2
(Nippon, 1979-1980)
Half the episodes were adapted into English only for the 2004 DVD release, the step-down in quality highlighting the sublime mastery of David Weir’s original work. The second-string opening and closing themes are spirit-dampening missteps (though ‘Holy and Bright’ has its charms).